I chose a quote from one of my favorite comic strips, Mafalda:

I chose my favorite scene from the strip, which was the last scene. I wanted the audience to have an interactive experience with the scene, so that when they pressed onto the comic, it would light up and can be read in the dark as well.

I began the process by tracing the drawing onto rice paper (I wanted a material that was relatively translucent but not enough to see through). Then I cut the foam board into a small box.

Then I made a parallel circuit with copper tape underneath to light up 3 LEDs.

One of the difficulties I encountered was getting the pressure to work as the foam was too hard to press onto. To solve this I had to use a combination of cotton pads and cardboards to fix underneath the pressure point. Once it worked, I sealed the box.

Documentation Video:

I chose the children’s book The Very Hungry Caterpillar and the scene I chose to illustrate was when the caterpillar was inside of the cocoon resting. Since we can’t see the caterpillar inside the cocoon, I wanted to illuminate that the caterpillar was indeed inside the cocoon undergoing transformation. So on top of a drawing of a caterpillar I taped a piece of scoby on top to hide the caterpillar and act as a cocoon. When the lights shine, you can vaguely see the caterpillar resting inside of the cocoon.

My first attempt, I used a thicker piece of paper and the light was able to shine through, but it was so thick that the lights weren’t bright enough to illuminate the drawing through the scoby. Here is the circuit that I built:

I ended up redoing the drawing on a regular piece of printing paper and since it was thinner than the other paper I used, the light was able to illuminate the caterpillar.

It is hard to see from the photo, but I think its clearer when you see it physically.

For this assignment, I took a passage from my favorite book Where the Wild Things Are? by Maurice Sendak. Instead of taking imagery straight from the book’s illustrations, I decided to put my own spin on the characters.

In the book, Max, who is the main character, gets sent to his room for misbehaving. While in his room, it turned into a jungle. He gets into a boat and travels for what feels like years to an island where the wild things lived. The passage I chose goes:

“And when he came to the place where the wild things are

they roared their terrible roars and gnashed their terrible teeth

and rolled their terrible eyes and showed their terrible claws

till Max said ‘BE STILL!’ and tamed them with the magic trick

of staring into all their yellow without blinking once

and they were frightened and called him the most wild thing of all”

I started my making process with a sketch of the layout of my composition. I like to work with layers of tracing paper, so i can easily move different elements without having to erase or damaging the paper too much.

Next, I made a prototype of my circuit. Because the monsters have a total of five yellow eyes combined, I wanted to make sure I can light all five LEDs with one 3v battery. It worked.

The circuit is split between two sheets of paper, the top being the negative and bottom the positive. I first mapped the circuits on the back of the top sheet of paper, then traced it to the bottom sheet of paper. Once I finished mapping the circuit, I started laying down the copper tape.

To keep the circuit from crossing with one another, and shorting them, I had to put a “rise” on the sheet.

After I finished laying down the circuit, I had to put in the LEDs. This was the most difficult process. (I was so wrapped up in taping the LEDs down, I forgot to document this process.) This was especially difficult because I had to tape one leg of the LED to the top page, then do the same to the bottom page. I broke two LED legs while doing this, and I found that some of the LEDs weren’t getting any power. I also discovered that the connection needed to be soldered, otherwise they weren’t getting enough contact on the circuit to light up.

Once the LEDs were in place and working as the should, I placed all the characters in place.

Here is a video of the interaction:

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Listening to Transparency: Denys Vinzant: D’Ore et d’Espace | 2000-2012 | Sound Installation

I saw this modular installation D’Ore et d’Espace(meaning of “in this moment”) in the Shanghai Minsheng Art museum this summer. It consists in more than two hundred scores written on the glass, and each exhibition is an occasion of a new creation, which proposes some “imaginative architectures” depending on the space that it occupies.

It is constituted by an ensemble of glass plates while the most of them are sonic. Crystalline tones, “pearl notes”, sound streaming, the installation of Vinzant presents an ensemble of scores written on the glass or stained-glass plates with golden ink. By the intermediary of transducers fixed on the plates, the sound propagates on the surface of the vibrating glass, playing like that the role of a membrane of loudspeakers.

Handwritten, with a play of transparency, where audio and visual communicate together, these scores represent an integral digest of unheard music.