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	<title>Computational Craft 2015 &#187; installation</title>
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	<link>http://lizastark.com/compcraftfall2015</link>
	<description>MFA Design + Technology // Parsons The New School for Design</description>
	<lastBuildDate>Mon, 29 Aug 2016 00:54:21 +0000</lastBuildDate>
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		<title>Updated concept &#8211; Isabella &amp; Sarah</title>
		<link>http://lizastark.com/compcraftfall2015/updated-concept-isabella-sarah/</link>
		<comments>http://lizastark.com/compcraftfall2015/updated-concept-isabella-sarah/#comments</comments>
		<pubDate>Wed, 16 Dec 2015 07:11:26 +0000</pubDate>
		<dc:creator><![CDATA[Isabella_Cruz-Chong]]></dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[final]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[speakers]]></category>

		<guid isPermaLink="false">http://lizastark.com/compcraftfall2015/?p=1344</guid>
		<description><![CDATA[The project is a sound installation consisting of five hand-made speakers. Each speaker will be set to play a stanza from a poem (Loteria by Adrian Coto), with each stanza focusing on an aspect of human experience and emotion. The audience will be encouraged to figure out how to close the circuit to hear each [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>The project is a sound installation consisting of five hand-made speakers. Each speaker will be set to play a stanza from a poem (<em>Loteria by Adrian Coto</em>), with each stanza focusing on an aspect of human experience and emotion. The audience will be encouraged to figure out how to close the circuit to hear each stanza.</p>
<hr />
<p>&nbsp;<br />
<strong>SPEAKER 1<br />
</strong><span class="s1"><i><br />
</i><strong>Stanza:</strong><i><br />
La Pera<br />
</i></span><span class="s1">I watched a man choke on a pear,<br />
</span><span class="s1">and hoped for 6 or 7 minutes<br />
</span><span class="s1">that someone else would help him.</span></p>
<p class="p3"><span class="s1"><strong>Description:</strong><br />
La Pera deals with my sense/flaw of inaction and indecision. While the scene it portrays is a hyperbolized, actual event, it highlights my fear of squandering potential or not helping others due to not being decisive and confident.</span></p>
<p class="p3"><strong>Visual descriptors:<br />
</strong>inaction / indecision / inmobile</p>
<p><strong>Sketch:</p>
<p></strong></p>
<hr />
<p class="p3"><strong>SPEAKER 2<br />
</strong><span class="s1"><i><br />
</i><strong>Stanza:<br />
</strong></span><span class="s1"><i>El Músico<br />
</i></span><span class="s1">The guitar was called Mojave.<br />
</span><span class="s1">It had 10 strings with 4 broken.<br />
</span><span class="s1">The perfect sound to reverberate against<br />
</span><span class="s1">an audience of sand.</span></p>
<p class="p3"><strong>Description:<br />
</strong><span class="s1">El Musico focuses on the use of injury or setback to channel creativity. I sustained a hand injury, which left me unable to play guitar, but as a result found alternative and new ways to express myself. Such setback reminds me of the need to express myself for myself, without any regard for who might or might not be listening.</span></p>
<p class="p3"><strong>Visual descriptors:<br />
</strong>beautifully broken / repurposed</p>
<p><strong>Sketch:</p>
<p></strong></p>
<hr />
<p class="p3"><strong>SPEAKER 3<br />
</strong><span class="s1"><i><br />
</i><strong>Stanza:<br />
</strong></span><span class="s1"><i>La Muerte<br />
</i></span><span class="s1"><i>Ya me cansé.<br />
</i></span><span class="s1"><i>Espero que Dios me lleva bien pronto</i>,<br />
</span><span class="s1">said my grandmother after a discussion<br />
</span><span class="s1">weighing the benefits of weed over painkillers.</span></p>
<p class="p3"><strong>Description:<br />
</strong><span class="s1">La Muerte highlights a strange view of death that I developed as a teenager and early adulthood. This view consisted of an unsure, uncertain idea of death, but that what was certain was that death would be rest from the hardship of life. It also speaks to the almost universal aspect of people finding respite from life in various diversions, drugs, or escapes (in this case, my use of drugs vs. my grandmother&#8217;s use of drugs).</span></p>
<p class="p3"><strong>Visual descriptors:<br />
</strong>escape / weary / hidden</p>
<p><strong>Sketch:</p>
<p></strong></p>
<hr />
<p class="p3"><strong>SPEAKER 4<br />
</strong><span class="s1"><i><br />
</i><strong>Stanza:<br />
</strong></span><span class="s1"><i>El Nopal<br />
</i></span><span class="s1">Let whoever reads this understand<br />
</span><span class="s1">that when the desert took me,<br />
</span><span class="s1">it left me with only a lighter<br />
</span><span class="s1">and a friend.</span></p>
<p class="p3"><strong>Description:<br />
</strong><span class="s1">El Nopal references a previously written poem, but speaks to dynamics of family and friendship. Namely, that it is inevitable that family and friends hurt one another, or suffer for one another.</span></p>
<p class="p3"><strong>Visual descriptors:<br />
</strong>painfully precious</p>
<p><strong>Sketch: </strong></p>
<hr />
<p class="p3">
<p class="p3"><strong>SPEAKER 5<br />
</strong><span class="s1"><i><br />
</i><strong>Stanza:<br />
</strong></span><span class="s1"><i>El Alacrán<br />
</i></span><span class="s1">I found one of the Milky Way’s spiral arms<br />
</span><span class="s1">embracing a small ranch in Tapalpa.<br />
</span><span class="s1">In the darkness I heard two scorpions dancing, singing,<br />
</span><span class="s1">We have not been before, and we will not be again.</span></p>
<p class="p3"><strong>Description:<br />
</strong><span class="s1">El Alacran brings about a more refined and comforting, yet fatalistic view on death. It shows that life is and always will be finite, and that our connection to the cosmos, whether we are consciously living or not, will be infinite.</span></p>
<p class="p3"><strong>Visual descriptors:<br />
</strong>infinite / connection</p>
<p><strong>Sketch: </strong></p>
<p class="p3"><strong> </strong></p>
<p class="p3"><strong> </strong></p>
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